Each month a member of our community is invited to browse our online collection and select six of their favourite artworks. Each ‘My Choice’ selection, together with personal responses to the works, will be available to view on the Sarjeant Gallery website for one month at a time. The February 2020 My Choice has been selected by Phil Stokes, a leading glass artist, and is available to view until 28th February 2020. Philip Stokes has worked as a full time glass artist with hot glass since 2002. He graduated with honours at Monash University in Melbourne, Australia in 2001 and also received the prestigious Pilchuck Scholarship Award. He opened the first open access hot glass facility in Melbourne in 2002 and continued this business until late in 2016 when he relocated to New Zealand with his husband. Philip now works from New Zealand Glassworks where he creates his own art works, teaches and helps to make New Zealand Glassworks’ production. His work is held in private collections around the world, in commercial public spaces internationally, including the National Art Glass Collection in Wagga Wagga, Australia.
The Sarjeant Gallery holds the Edith Collier Trust collection which encompasses the majority of Collier’s surviving output. The Gallery works in partnership with the Edith Collier Trust to document, display and manage the collection, which permanently resides with the Gallery. Whanganui born Edith Marion Collier (1885-1964) was a modernist and expatriate painter who worked alongside Frances Hodgkins and Margaret Preston in Europe from 1915 to the early 1920’s. On her return to Whanganui in 1922 her accomplished artwork and innovative ideas were met with incomprehension and criticism. She has since been properly acknowledged as contributing to the modernist development of NZ art history. The ECT collection comprises of over 470 items including archives and ephemera. In addition there are a further 30 works by Edith Collier in the Gallery’s permanent collection.
Works that have recently entered the Sarjeant Gallery collection.
Frank James Denton was born in Wellington in 1869 and worked as a successful commercial photographer in Whanganui from 1899 until 1927. In 1919, when the Sarjeant Gallery opened, Mayor Charles Mackay commissioned Denton to curate an international collection of art photography to form part of the new Sarjeant Gallery’s collection. In 1926 over 170 photographs gathered by Denton from around the world were exhibited at the Sarjeant Gallery. Subsequently 83 of the photographs were donated to the Gallery’s collection, making it the first Gallery in NZ to seriously collect photography.
The majority of the Sarjeant Gallery’s holdings of international artwork focuses on 18 th and 19 th Century British and European art. As a result of the early collecting trips to Europe by Ellen Neame (Henry Sarjeant’s widow) and John Armstrong Neame (her new husband) between 1913 – 1930, quite a number of the earlier works in the collection represent the conservative colonial taste in art at the time. The Gallery has continued to add to this collection both as a result of bequests and active purchases.
Early in 1917, in an effort to secure works for the Sarjeant Gallery’s early collection, Whanganui Mayor Charles Mackay began a letter writing campaign to cartoonists and magazine editors in most of the World War I allied countries. The response was remarkable and by 1918, when the war finally finished, the Gallery had nearly 120 cartoons from Australia, the United States of America and Britain. These works provide a unique snapshot into the political commentary of a turbulent period in our history.