The Sarjeant Gallery holds the Edith Collier Trust collection which encompasses the majority of Collier’s surviving output. The Gallery works in partnership with the Edith Collier Trust to document, display and manage the collection, which permanently resides with the Gallery. Whanganui born Edith Marion Collier (1885-1964) was a modernist and expatriate painter who worked alongside Frances Hodgkins and Margaret Preston in Europe from 1915 to the early 1920’s. On her return to Whanganui in 1922 her accomplished artwork and innovative ideas were met with incomprehension and criticism. She has since been properly acknowledged as contributing to the modernist development of NZ art history. The ECT collection comprises of over 470 items including archives and ephemera. In addition there are a further 30 works by Edith Collier in the Gallery’s permanent collection.
Frank James Denton was born in Wellington in 1869 and worked as a successful commercial photographer in Whanganui from 1899 until 1927. In 1919, when the Sarjeant Gallery opened, Mayor Charles Mackay commissioned Denton to curate an international collection of art photography to form part of the new Sarjeant Gallery’s collection. In 1926 over 170 photographs gathered by Denton from around the world were exhibited at the Sarjeant Gallery. Subsequently 83 of the photographs were donated to the Gallery’s collection, making it the first Gallery in NZ to seriously collect photography.
Items from the collection that are currently on display at Sarjeant on the Quay in the exhibition 'Beyond the Frame'
The majority of the Sarjeant Gallery’s holdings of international artwork focuses on 18 th and 19 th Century British and European art. As a result of the early collecting trips to Europe by Ellen Neame (Henry Sarjeant’s widow) and John Armstrong Neame (her new husband) between 1913 – 1930, quite a number of the earlier works in the collection represent the conservative colonial taste in art at the time. The Gallery has continued to add to this collection both as a result of bequests and active purchases.
Early in 1917, in an effort to secure works for the Sarjeant Gallery’s early collection, Whanganui Mayor Charles Mackay began a letter writing campaign to cartoonists and magazine editors in most of the World War I allied countries. The response was remarkable and by 1918, when the war finally finished, the Gallery had nearly 120 cartoons from Australia, the United States of America and Britain. These works provide a unique snapshot into the political commentary of a turbulent period in our history.