Chromatic Variations VII
Mervyn Williams, Artist
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About the Work
Mervyn
Williams
is
another
of
the
earliest
Tylee
Cottage
residents,
arriving
third
in
1988,
following
Laurence
Aberhart
and
Andrew
Drummond
in
1986
and
1987
respectively.
Williams’
approach
to
abstraction
is
more
formal
and
geometric
than
some
of
the
more
expressionistic
painters
of
the
time,
and
much
of
his
work
focuses
on
optical
and
illusionistic
effects,
following
the
Op
art
style
that
had
been
popular
at
the
time.
His
works
can
be
technically
impressive
too,
especially
the
high
level
of
detail
in
this
early
series
of
prints,
which
are
inspired
by
musical
structures.
They
resemble
the
early
experiments
by
filmmakers,
including
Len
Lye,
to
create
visual
representations
of
or
responses
to
music
through
movement,
shape
and
colour.
Much
in
the
way
that
Cecelia
Kumeroa
and
Dr.
Billy
van
Uitregt’s
Dawn
Chorus,
currently
on
display
in
the
gallery,
visualises
bird
song
in
Bushy
Park
Tarapuruhi.
Visual
music
and
art-music-sound
overlaps
are
a
favourite
subject
of
mine
and
is
part
of
the
reason
that
I
also
have
a
role
as
a
trustee
of
the
Len
Lye
Foundation.
Marti Friedlander took a number of photos of Williams outside his house on the west coast of Auckland, and his son Marcus appears in several. Marcus, who was the chair of the Te Uru board when I first started there, is also an artist and was the recipient of a Tylee Cottage residency in 2000-01 with his artist partner, Susan Jowsey. They often collaborate, also involving their children, as the F4 collective.
- Andrew Clifford, for the My Choice Exhibition Series, April 2023
This work is one a series of screenprints, the name of which reflects Mervyn Williams’ love of Johann Sebastian Bach’s music and also refers to variations in colour. He has said that Chromatic Variations IX can be looked at as if it was a Tibetan mandala, rather than simply being a design. Williams’ painting and printing have always centred on formal abstraction. In the Chromatic Variations series he abstracted forms in a complex manner and experimented with different colours in each print. Williams was born in Whakatane in the Eastern Bay of Plenty. In 1956 he met artist Ted Dutch (b. 1928) who got him interested in silk-screen work. Williams studied at Elam School of Fine Arts in Auckland. He won First Prize in the Graphic Section of the Hay’s Art Award in 1966 and was represented in the ‘International Biennale Exhibition of Graphic Art’ in Tokyo in 1966 and 1972. Williams also won the New Zealand Print Council Samarkand Award in 1969.
- https://christchurchartgallery.org.nz/collection/93-03/mervyn-williams/chromatic-variations-ix (accessioned Mar 2023)
Marti Friedlander took a number of photos of Williams outside his house on the west coast of Auckland, and his son Marcus appears in several. Marcus, who was the chair of the Te Uru board when I first started there, is also an artist and was the recipient of a Tylee Cottage residency in 2000-01 with his artist partner, Susan Jowsey. They often collaborate, also involving their children, as the F4 collective.
- Andrew Clifford, for the My Choice Exhibition Series, April 2023
This work is one a series of screenprints, the name of which reflects Mervyn Williams’ love of Johann Sebastian Bach’s music and also refers to variations in colour. He has said that Chromatic Variations IX can be looked at as if it was a Tibetan mandala, rather than simply being a design. Williams’ painting and printing have always centred on formal abstraction. In the Chromatic Variations series he abstracted forms in a complex manner and experimented with different colours in each print. Williams was born in Whakatane in the Eastern Bay of Plenty. In 1956 he met artist Ted Dutch (b. 1928) who got him interested in silk-screen work. Williams studied at Elam School of Fine Arts in Auckland. He won First Prize in the Graphic Section of the Hay’s Art Award in 1966 and was represented in the ‘International Biennale Exhibition of Graphic Art’ in Tokyo in 1966 and 1972. Williams also won the New Zealand Print Council Samarkand Award in 1969.
- https://christchurchartgallery.org.nz/collection/93-03/mervyn-williams/chromatic-variations-ix (accessioned Mar 2023)
Measurements
Image 458 x 712mm
Support 562 x 762mm
Support 562 x 762mm
Media
screenprint on paper
Description
Screenprint comprising of a dense field of symmetrical pattern and juxtaposed intense colour. There is a central blue cross form (vertical and horizontal bars) behind which is an angled cross form in red. Every surface within the pattern is comprised of bands and fields of very small repeating patters. The predominent colours are bright blue and bright red and the effect of these colours competing with each other as well as the detailed patterns form an optical effect bringing some areas forward and pushing other areas back creating an illusion of depth. Also the repetitive lines and patterns almost make the eye 'sing' or vibrate the image as if it is pulsing and the circle wheels in the four corners rotate.
Credit Line
Collection of the Sarjeant Gallery, Te Whare o Rehua Whanganui. Purchased, 1996
Collection Type
Permanent collection
Acquisition Date
09 Jul 1996