A fine piece of blue glass, Resign is central to Murray’s main body of work. This piece demonstrates the artist’s strong interest in solid glass structures and is a move away from previous works which display a sharp and threatening edge. Modelled by the play of light, Untitled will be seen, by turns, as being both monumental and ethereal and in that way is clever not only in its construction and theory, but this also means it will present itself in a different manner every time it is exhibited.

"David Murray’s work is an exploration of the boundaries of cast glass. The work itself is an illustration of the artist’s technical mastery of the medium and also shows the extent to which he has applied this ability, in order to create a striking piece of art glass. Technique and creativity are not always compatible in the difficult process of glass making, but Murray has honed his craft such that his intent and ability are not at odds

Resign is central to Murray’s main body of work. This piece demonstrates the artist’s strong interest in solid glass structures and is a move away from previous works which display a sharp and threatening edge. Modelled by the play of light, Resign will be seen, by turns, as being both monumental and ethereal and in that way is clever not only in its construction and theory, but this also means it will present itself in a different manner every time it is exhibited".

Senior Curator Greg Anderson, Sarjeant Gallery exhibition 90 years 90 works, 2009


“I first met David Murray and Emma Camden in 2001, not long after they moved to Whanganui, and always enjoy a catch-up chat with them. I’ve followed their careers with interest and admire their work immensely. I will always treasure the very special gift to me from my family – a piece of David’s work called ‘Wave’ (in this same blue).”

Marion Gibbard for My Choice online exhibition, August 2020.