In these works Isiaha Barlow is using traditionally European media to explore Māori and post-colonial needs. Based on medieval religious iconography Barlow’s ‘Saints’ are recast as Māori artists Emily (Emare) Karaka and Fred Graham, two leaders in contemporary Māori art. Barlow’s paintings acknowledge the status artists achieve with great success, figures to be worshiped as icons. These works can be read as acknowledgement of the important role these artists have filled for young Māori practitioners, but they also ask very serious questions through their medium. Barlow’s adoption of a European tradition of imagery that is centuries old is at odds with the message of praise and thanks he is sending. Why canonise these artists using a method not of their own culture? Why do we, New Zealanders, continue to cast artists in a ‘hero’ role that has its roots in medieval, European patriarchy? These works, and this exhibition, force us to ask questions about homage in a digital, postmodern and postcolonial era. Influence and reverence will always have a place in art; it is an essential part of growing as an artist and finding ones own artistic voice, but the form that admiration takes is now constantly evolving and adapting.
- extended label text for 'After You', 2013