Emerey Weschlette
Yvonne Todd, Artist
This is one of the
photographs
in our collection.
It was made in
Auckland Region, New Zealand
in 2002.
See full details
Object Detail
About the Work
“I
love
Yvonne
Todd’s
work.
I
am
interested
in
how
her
representation
of
the
female
subject
interrogates
the
male
gaze.
Everything
about
this
character
is
not
quite
right.
She
looks
like
someone
who
might
haunt
op
shops,
retro
diners
or
funeral
homes.”
– Airini Beautrais, teacher and writer, for the Dec 2020 instalment of the My Choice exhibition series.
From the series "Sea of Tranquility" featuring quintessential Todd models posed alone and staring glumly into their own make believe reality. These 'girls' are posed in non descript backgrounds with glazed-eye-stares , polished-but-dowdy clothing and heavy make up, all which contributes to their fake plastic, doll-like qualities. In a conversation with Robert Leonard it is revealed that these models are styled in the fashion of the daughters of Mormon pastors, and that Todd has a self confessed "Christian Envy". She says of this series and other works with a Christian reference " I have Christian Envy. I want to belong. I want to be special. And I like the trappings of zealotry. The more fervent end of the scale, of course. People like Gramma Cherbear, whose fanatical religious instruction for children is accompanied by poorly-executed line drawings of animals that look really scabby and squalid and fucked-up. I'm intrigued by her disinterest in aesthetic finesse, along with the plainness of those girls modelling their mother's dowdy home-made garments. I want to recreate some of that." http://www.ima.org.au/pages/.exhibits/blood-in-its-various-forms...68.php
– Airini Beautrais, teacher and writer, for the Dec 2020 instalment of the My Choice exhibition series.
From the series "Sea of Tranquility" featuring quintessential Todd models posed alone and staring glumly into their own make believe reality. These 'girls' are posed in non descript backgrounds with glazed-eye-stares , polished-but-dowdy clothing and heavy make up, all which contributes to their fake plastic, doll-like qualities. In a conversation with Robert Leonard it is revealed that these models are styled in the fashion of the daughters of Mormon pastors, and that Todd has a self confessed "Christian Envy". She says of this series and other works with a Christian reference " I have Christian Envy. I want to belong. I want to be special. And I like the trappings of zealotry. The more fervent end of the scale, of course. People like Gramma Cherbear, whose fanatical religious instruction for children is accompanied by poorly-executed line drawings of animals that look really scabby and squalid and fucked-up. I'm intrigued by her disinterest in aesthetic finesse, along with the plainness of those girls modelling their mother's dowdy home-made garments. I want to recreate some of that." http://www.ima.org.au/pages/.exhibits/blood-in-its-various-forms...68.php
Measurements
Image 1020 x 820mm
Frame 1280 x 1040mm
Frame 1280 x 1040mm
Media
Colour C-type photographic print
Description
Colour photographic portrait showing the head and shoulders of a young woman with long ash-blonde hair with a fringe. She is wearing a white shirt buttoned at the neck with a lace edged collar. She is gazing vacantly off into the distance. The background is black.
Credit Line
Collection of the Sarjeant Gallery Te Whare o Rehua. Donated to the Sarjeant Gallery by The Thanksgiving Foundation, 2008.
Collection Type
Permanent collection
Acquisition Date
18 Jun 2008