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| Title | Artist | Date of Work | Object Type | Accession Number | ||
|---|---|---|---|---|---|---|
|
Pango Chorten, Gyantse, Central Tibet, 1987
|
Hamish Horsley
|
1987
|
Work on paper/Print/Photograph
|
1997/2/23
|
|
|
Autumn Leaves
|
Edith Collier
|
Circa 1913
|
Painting
|
1/34
|
|
|
The Battle Plan for Genghis Khan
|
Philip Trusttum
|
1968
|
Painting
|
1985/2/19
|
|
|
Meanwhile
|
James Kirkwood
|
1984
|
Painting
|
1984/24/1
|
|
|
The Back Gate
|
K.W. Hassall
|
Post 1900
|
Work on paper/Print
|
1977/28/1
|
|
|
Houses and a street, Bibury
|
Edith Collier
|
1921
1979 |
Work on paper/Print
|
1979/10/5
|
|
|
Seajourneys (Tristan & Iseult Panels No. 2)
|
Gretchen Albrecht
|
1978
|
Painting
|
1980/12/2
|
|
|
Wedding Night, Lights Out and Every Night Thereafter
|
Trevor Moffitt
|
Circa 1980
|
Painting
|
1982/38/2
|
|
|
The Bridge Moret-Sur-Loing, France
|
John Hutton
|
1951
|
Painting
|
1954/2/1
|
|
|
Beta Street
|
Joanna Margaret Paul
|
1981
|
Painting
|
1989/5/1
|
|
|
Plato's Cave/Whanganui River IV
|
Joanna Margaret Paul
|
1987
|
Work on paper/Drawing
|
1989/16/4
|
|
|
People in the Park
|
Edith Collier
|
Circa 1918
|
Painting
|
1/30
|
|
|
Autumn in the Park
|
Edith Collier
|
1913-1921
|
Painting
|
1/38
|
|
|
Untitled (Gathering)
|
Vivian Smith
|
Unknown
|
Painting
|
1988/27/17
|
|
|
Untitled (Gathering)
|
Vivian Smith
|
Unknown
|
Painting
|
1988/27/23
|
|
|
Straight On
|
Philip Trusttum
|
Painting
|
1985/29/3
|
||
|
Slightly Altered
|
Philip Trusttum
|
1985
|
Painting
|
1985/29/4
|
|
|
Jerusalem
|
W H T Partington
|
1902
|
Work on paper/Print/Photograph
|
1994/12/20
|
|
|
Symbolic Conjunction (because)
|
Peter Ireland
|
1993-1994
|
Painting
|
1995/11/1
|
|
|
Mt Kedernath, India-Tibet border, 1974
|
Hamish Horsley
|
1974
|
Work on paper/Print/Photograph
|
1997/2/1
|